Album Reviews

2007 Releases

 

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Based on a 5-Star Rating:

 5 - \m/ Fuck Yeah!! (ALL hell breaks loose)
4 - Worth The Crook In The Neck
(Something to headbang to)
3 - Not Bad...
(Get it for the cover & artwork alone)  
2 - Buzz Bin
(A second hand record store purchase at best)
1 - The Axe
(After selling their souls to the devil, the devil reneged on the deal...download it!)

 

Abigail Williams LegendABIGAIL WILLIAMS(2.666 Pentagrams)

Legend

Candlelight Records, 2007

Reviewer: Karma

 

Tempe Arizona’s newcomers and weavers of black metal, Abigail Williams gives a go at it with their EP Legend. No words will be minced here; this is a solid effort but comes up short. Hey folks, there are WORSE bands out there but at least this band had a solid foundation and was going somewhere, up until the band recently called it quits. Then again if memory serves correctly, it is not hard to see why Abigail Williams broke up especially after seeing the band perform live on the Phoenix Rising II tour as they opened for legendary Dark Funeral and Enslaved (also their labelmates). It’s as clear as glass bottomed boat that the current band at hand had a some work ahead of them (particularly the clean vocals like on “The Conqueror Wyrm”), but again, this was their first effort and sadly, their last testament to immortalize their short lived union.

 

Speaking of the band’s labelmates, it’s obvious the band draws from Norwegian Black Metal and Swedish Death Metal cauldron. The arrangements and instrumentation is very reminiscent of Emperor/Dimmu Borgir, or at least one could say they made a valiant effort as homage to the aforementioned. In the short amount of time supplied, 21-minutes to be exact, Legend draws you in with it’s blackened keys of Ashley “Ellyllon” Jurgemeyer and torturous vocals of lead screamer Ken Sorceron (the true core of the band). The breakdowns throughout the CD are good like on “From A Buried Heart”. The best song off the EP is “Like Carrion Birds” a once heavily rotated song on cable jukebox, Music Choice.

 

It really is too bad we will never find out how the story would have unfurled with their full-length and if the band would have redeemed themselves, but as it stands, the band sealed their own fate… <<<<<<coffins creeks close>>>>>>> 

 

APOCALYPTICA (5.666 Pentagrams)

The Life Burns Tour DVD 

Red Int / Red Ink, 2007

Reviewer: Erika Kristen

 

What would the soundtrack sound like on our way to the apocalypse? Finland’s export, Apocalyptica. They make their theatrical full-on metal apocalyptic onslaught with the DVD release of The Life Burns Tour, filmed at the finale of a successful run of the Americas in 2006. Best known for their renditions of classic Metallica tunes with the release of1996’s Apocalyptica Plays Metallica by Four Cellos, this trio was considered a flash in the pan. But in all actuality, Apocalyptica have composed and transcribed the most complex scores in metal music history. This is not a fabrication. You may think you may not have the tenacity to sit through over 60 minutes of cello playing but I assure you it will be an enriching, hair-stands at attention type of experience! Anyone who can head bang and still keep time on a cello, gets instant street cred. It’s the law!

 

Apocalyptica is comprised of a trio of leather bound Archangels with wings dipped in blood. They arm themselves with cellos instead of trumpets and swords. Announcing the inevitable creeping death onto an unsuspecting audience. Main composer, the angelic and graceful, Eicca Toppinen leads the charge accompanied by fellow cellists Perttu Kivilaakso and Paavo Lötjönen. Rounding out the infantry is the fourth touring cellist, Antero Manninen and staple drummer Mikko Sirén. The ambience that embodies this band is nothing short of seductive. All are classically trained and are aptly demonstrated throughout this concert performance.  


This 20/20 Entertainment production was distributed by Red International / Red Ink, is the best videography/documentary my tired eyes have seen in a while. Those of you who have not been fortunate enough to see Apocalyptica in action would greatly benefit by purchasing this DVD. It also includes hard to find videos of “En Vie” featuring Frenchwoman Manu and Rammstein’s “Seeman” with legendary German vocalist Nina Hagen, offering a delectable dialect of the German language. Although an advent fan after viewing the DVD, I found tunes that were embedded in my psyche. Case in point, WGN/WB in the U.S. to now internationally televised vampire avenger Angel series, has an Apocalyptica song as a theme for the show as well as “En Vie” piped in between commercial brakes. Soon to be dubbed an alternative operatic experience, Apocalyptica introduces us to the most complex cello arrangements that would put the most technically astute guitarist on guard. Though smoke machines and 7-foot high skeleton themed thrones are our visual backdrops, Apocalyptica puts on a stage performance that will astonish and awe.

 

This is a band that although incorporates technically astounding concertos, leaves you wondering were you living under a rock not to be privy to such enticing metal. Over-confident cellist Count Perrtu (key composer of “Path”) unapologetically the rock star of the group, delivers a zealous enthusiasm that is a spectacle in itself. His polar opposite Paavo is very non-rock star but is just as self-assured, keeping the “rhythm section” in check at the same time as leading the concert in a prep rally. “Mr. Cool” a.k.a. Antero, sits upon his throne almost motionless, only giving the occasional smile while offering a full-bodied addition to the sound. After long, it is evident how he got his nickname! Don’t assume they may deliver the mild sounds that, say, wayward Nymphs Rasputina may deliver; expect the kind of sisu that most musicians can aspire to become. They make cello playing seem effortless. Thunderous beats delivered by Mikko keeps the on-looker pumped. He seems very much in his element. When the energy becomes high, then the beats gets even more audious. 

 

If Metallica had an intro to the death rattle of metal, Apocalyptica is its answer. How befitting because at last press time, Apocalyptica will open for Metallica on July 16th in Helsinki, a sure to be rude awakening to the metal masters of yesteryear perhaps? Guaranteed to give them a run for their money no doubt. They also perform the mighty Sepultura’s “Refuse/Resist” that will catapult you into a frenzy without a doubt. After 10+ years of much deserved acclaim, Apocalyptica will make their debut on Columbia Records in Fall of 2007. While we anxiously await their next composition, The Life Burns Tour DVD is a must have for the essential Apocalyptica fan.

 

Behemoth The ApostasyBEHEMOTH

The Apostasy

Century Media Records, 2007

Reviewer: Kate

 

Behemoth continues to impress me by being able to push their own boundaries and showing that metal will always have the ability to evolve; they prove this even more with their latest release The Apostasy. The title simply means “to abandon or go against religion” (Yes, I had to look it up), which doesn’t surprise me in any way, given Behemoth’s history of blasphemy (I said blasphemy…..that’s funny) but also made me like the album even more so. Nergal’s vocals are vicious and his lyrics are so well thought out and poetic.

 

“At the Left Hand Ov God” is one of the most intricately played pieces that I have heard in a long time, from any band that has an amazing fade of middle-eastern mantra chants and tribal percussion. Warren Dane of Nevermore features guest vocals on the track “Inner Sanctum” making it a very interesting and creepy composition with Nergal’s spoken lyrics. The production on this album is absolutely amazing! Overwhelming with brutality but each instrument sounds so pristine that it just blows me away; more metal bands need to record their albums in Sweden!

 

All in all, this is Behemoth’s most extreme albums and their best. If you have not bought The Apostasy then go do it now!!

 

Nergal's most demonic” or darkest composition to date, The Apostasy, enraptures and envelopes you in true blackness as especially with songs like “Pazuzu”. In ancient Mesopotamian mythology was a creature with the very thought filled many with trepidation. This magickal legend had a “deformed head, wings of an eagle, sharp claws of a lion on it's feet and tail of a scorpion. It is the personification of the south-east storm wind, which brings diseases.” Now if this was not research worthy, what is? Then there is the song Germanic titled song “Kriegsphilosophieonce translated means Philosophy of War”. Can we also hit on the fact that Nergal's genius lead him to incorporate a piano part on “Inner Sanctum” (done by Leszek Mozdzer) which creeps this album out to the über degree along with the usage of trumpets and choirs! Simply put, he outdid himself with the creation of this CD. Pure evil has never sounded so blissful! -- Karma

 

Birdflesh Mondo MusicaleBIRDFLESH

Mongo Musicale

Candlelight Records, 2007

Reviewer: Kate

 

Swedish grindcore band, Birdflesh, is pretty damn brutal. The screams, the blast beats, and the heavy guitar slam you in the face and almost leave you for dead. Cramming twenty-five songs into about thirty-five minutes, everything is played at warp speed and that might be a good thing if you have the attention span of a two year old like I do. Every once in awhile they will slow down for a few seconds; but then just dive right back into the insanity.

 

I’d say their main influence is Carcass which, being a long-time Carcass lover, I surely appreciate but they don’t limit themselves to that one style however. There’s a combination of Slayer-like intros, grind with drum solos, melodic riffs here and there and weird stuff pretty much everywhere.

 

Some of my favorite titles on here are “Crocophile”, “Mongoloid Wannabe”, “Arabian Jesus”, and “Whirlpool Whiplash”. If you can have a sense of humor about your song titles, that’s awesome in my book. After hearing these songs, I almost want to see them live just to see if they would have the same type of stage performance as GWAR would. With a name like Birdflesh, I’d be disappointed if they didn’t have the same crazy antics. If you’re looking for something not so serious but still want that grind sound then this is the band for you. I’d say at least give them a chance just to appreciate the goofiness of Mongo Musicale.

 

Blood Tsunami Thrash MetalBLOOD TSUNAMI

Thrash Metal

Candlelight Records, 2007

Reviewer: Kate

 

Blood Tsunami is a mix of the old thrash styling of Kreator, Slayer, and Testament and I have to say that I am impressed. I wasn’t really sure what to expect, the title is a little lame and although the cover is a little cliché it’s still pretty cool so I didn’t know what to think. Each song that I heard is filled with brutal intensity and very aggressive. Formed in 2004 and after a few lineup changes, Blood Tsunami has really found their niche in the thrash metal scene.

“Rampage of Revenge” is sure to be pleasing to the ears of any thrash metal purist. The guitar work of Pete Evil and Dor Amazon is extremely well done and jumps out at you immediately. “Godbeater” is another excellent track that shows of the band’s skills. Faust’s (ex-Emperor) bludgeoning of the double bass drums are fantastic and completely on every song.

Coming over from Norway, Blood Tsunami is full of passion for metal and is focused on complete domination. While it’s not really anything new, this band writes great music and is definitely something to keep your ears and eyes out for.

 

Candlemass King of the Grey Islands CANDLEMASS

King of the Grey Islands

Nuclear Blast Records, 2007

Reviewer: Kate

 

Candlemass has been around for some twenty years and they are still going strong. “King of the Grey Islands is another great album that steps forward with a more progressive sound; showing that they can experiment with their music and bend their own rules here and there. Robert Lowe’s vocals blast through tracks like “Man of Shadows” with powerful urgency and shows range that unfortunately escaped the capabilities of previous vocalist, Messiah Marcolin.

 

The production on this album is amazing, very crisp and the separation of the instruments modernizes the whole thing while keeping the traditional metal sound at heart. The opening track “Prologue” entices the listener with a soft, melodic passage while setting the stage for “Emperor of the Void” that has a very epic feel to it and great metal vocals from Lowe. “Demonia 6” is an intense track that’s full of intense brutality and will beat you down until you surrender to complete submission. The riffs throughout the album remain tremendously heavy along with the solos that give Lowe room to experiment with his range and power. The chemistry between the members is instantly obvious and makes the album all that more appealing.

 

After twenty years Candlemass has shown that they can remain true to themselves, delivering uncompromising doom metal, while moving forward with their sound. This band is truly the King of the Grey Islands.

 

Crionics NeuthroneCRIONICS

Neuthrone

Candlelight Records, 2007

Reviewer: Kate

 

There is something in the water in Poland and its damn good because Crionic’s new album Neuthrone is astounding! This is crushing, unrelenting death metal with a very noticeable black metal influence that brings into mind a combination of Dimmu Borgir and Vader. I wasn’t too impressed with their previous release Armageddon’s Evolution but this album just blew me away.

There is a very dominant keyboard presence which makes the black metal influence even more symphonic and industrial. “Hell Earth” has a great passage where there is a computerized line layered on top of a groovy percussion and riffs that follow the drumming instead of the other way around. “Arrival 2033” has a monster riff and choppy verses but still manages to stay focused instead of going all over the place; Darkside’s drumming is meticulously fast and sharp.

This is a very intense album with a lot always going on; there are enough worthwhile songs to give a listen. Even you’re like me and didn’t give their last album too much consideration; it’d be a shame if you didn’t give Neuthrone a chance.

 

Dark Tranquillity FictionDARK TRANQUILLITY(4.666 Pentagrams)

Fiction

Century Media Records, 2007

Reviewer: Karma

 

Dark Tranquillity, reigning Lords and co-founders of the Gothenburg Sound, are out with Fiction their eight entry to their ever impressive anthology. Considering the band’s career spans back close to twenty years (1989 to be exact), they’ve had ample time to hone and refine their collective masterful skills in which during that timeframe, the band’s lineup has virtually remained the same. During of which, the band’s music has not dramatically deviated from their earlier days. Going a little further with this concept, the band has concretely settled into a more modern and evolved sound with their current offering branching out from their previous highly touted 2005 release, Character that catapulted them way ahead of their contemporaries. However, no matter how many revolutions the current offering spins in my collective CD players (innumerable at this stage) this puppy still falls a tad short. Overall, the album seems to serve as a stepping-stone into the wonderful evolutionary process. The force, drive, and spirit this band is known and loved for is still present…it’s just hard to put a finger on what’s truly missing. The song “The Mundane and the Magic” solves the conundrum at hand! Mundane = “Focus Shift” (which shockingly enough was the bands’ first single) but if you take the song for face value, their focus does shift…and Magic as it being a melodious and haunting journey.

 

Fiction definitely contains some noticeable differences or visible kinks in the evolutionary chain from its predecessors as outlined as such. Martin Brändström’s keys are not as prominent as in prior albums (but his role is remains tantamount to the full DT package) they seem to blend in a lot more with the guitars of Niklas Sundin and Martin Henriksson. Not taking anything away from Mr. Brändström as he rules on “Terminus (Where Death Is Most Alive)”, “Empty Me”, “Inside the Particle Storm”, and “Icipher”. Something else that’s not overly abundant is the guitar solos! Next in line, bassist Michael Niklasson work is a skosh more buried than usual. Just to interject, the distinctively powerful and haunting vocals of fireball Mikael Stanne are as evocative as ever but you may ask where this is leading, right? As we still are on the differentiation soapbox, shockingly enough Stanne dusts off his clean vox, which have not utilized since the Projector days, on two tracks “Misery’s Crown” and “The Mundane and the Magic” in which the latter features female vocals (but that song is simply amazing). Last but not least Sudin solely created a song by himself “Inside the Particle Storm”, this song is definitely different from the others and is quite rousing. Again, the bands’ focus shifts!

 

Now that the question marks are out of the way, let’s move to greener pastures, shall we? With Fiction, the band paints dark, luscious, barren atmospheric landscapes in the only way they know how; it rings throughout the entire CD especially with the closing US track, again, “The Mundane and the Magic”. And how could they not with Tue Madsen at the production helm? Visually Sundin breathes more life into the project with more of his stunning artwork. Other highlights lie with the ever-precise and highly underrated drummer, Anders Jivarp, especially with the way the CD starts out with “Nothing to No One” displaying some fancy blasting and drum work. Something else that completes this song to the über degree is the shining moments where Niklasson breaks through the wall of guitars. It must be nice to be this free to be able to explore the “darkside” of self and turn it into a musical format without following any set rules coupled with the fact that their label gives creative license to do what they want to.

 

We arrive to the same conclusion, anytime a band grows or deviates ever so slightly from previous releases, fans squabble. No artist will ever please their audience 100% of the time and as it stands Dark Tranquillity is more than pleased with Fiction and that’s is truly the bottom line here folks! If you are a hardcore fan of this Swedish collective, Fiction will send “shivers down [your] spine [and] will haunt [you] to the end of [your] living days and nights!”

 

Death Before Dishonor Count Me InDEATH BEFORE DISHONOR1/2

Count Me In

Bridge Nine Records, 2007

Reviewer: Kate

 

Death Before Dishonor likes their hardcore old school style with lots of fast songs, simple chords, guitar solo here and there and occasional gang shouts in the background. Not being a huge fan of hardcore myself, I actually found myself liking this album. For music that’s supposed to be underground the production on Count Me In is top notch; all instruments sounds well-balanced and crisp.

 

The album contains 13 furious tracks and clocking in at 28 minutes, Death Before dishonor throw in more of a metal and early punk influence making the songs sound catchy and aggressive. The melody is more present and unexpected throughout and the breakdowns are bigger and more furious.

 

Death before Dishonor go above bands like Hatebreed, they know how to write hardcore anthems and you can hear it on tracks like “Break Through it All”. The combination of aggression and melody make this album memorable and will make its way to the top of the hardcore league! 

 

Deadsoul Tribe A Lullaby for the Devil DEADSOUL TRIBE

A Lullaby for the Devil

InsideOut Records, 2007

Reviewer: Kate

 

Deadsoul Tribe definitely knows the meaning behind the word diversity. Devon Graves is brilliant when it comes to writing music but it can be a hit or miss situation when it comes to the listener. Change can always be a good thing but I’m not sure I would say it’s the same things as growth. What might seem “cutting edge” to one might appear to be unnecessary and possibly even a step backwards to another.

 

“Psychosphere” is a heavy, industrial track with low, guttural graves that is a change from Graves usual warm vocals. “Goodbye City Life” sounds like a medieval battle cry with an almost military beta and pounding drums, one of the best tracks on the album. The miss on this album is “A Stairway to Nowhere”, it’s simple and repetitive and the only thing that stands out are Graves vocals and I don’t think that is enough to the save the song, as good as they are. “Further Down” is a haunting track with some good harmonies that might bring Alice in Chains to mind when you hear it.

 

I give major props to Graves for doing his own thing and not worrying about what others think about his music. If anything, you cannot put this band into any kind of stereotype. This album is an experiment to take on the less melodic and rougher approach, which may leave some scratching their head when it’s over; but give it a few listens before completely dismissing it. You just might get it.

 

Deepfield Archetypes and RepetitionDEEPFIELD

Archetypes and Repetition

In De Goot Recordings, 2007

Reviewer: Karma

 

South Carolina quartet Deepfield is out with their catchy and riveting debut Archetypes and Repetition on In de Goot Recordings. Talk about solid, this collection of twelve songs takes you on an unforgettable journey. The only “complaint” or eyebrow raiser is that the production by Skidd Mills and Paul Ebersol made it too pristine for this dirty, grit raunch and roll band! Mills and Ebersol have also worked with the likes of ZZ Top, Saliva, and a “myriad of Memphis blues practitioners.”  The amount of soul this band produces is astounding. Singer/guitarist Baxter Teal III’s voice is infectious and the music will get under your skin like a tick and leave you spent…but this is meant in a good way! The lyrics are just as clever as they are! Talk about memorable, I never thought I’d be happy to sing “Happy as a pig in shit”…but you just wait; you’ll do it too! Then there’s “Into the Flood” “I wanna write my name into your flesh. I want to be in love with myself again”. This CD transcends the unexciting normalcy of the hard rock genre that many will attempt to pigeonhole Deepfield into; this band is poppy as well as rockin’. There’s something that everyone can sink their teeth into and or will appreciate. There are even some country elements that are found on the “Fall Apart”; of course you can never go wrong with a sure fire thing, the ballad, “Your Forever” and “Dreams”! They both rock hard!!

 

Archetypes and Repetition is filled to the brim with dark sing-along-songs. Robert Montgomery did an excellent job with the coverart as it paints a bleak picture which coincides with Teal’s lyrics (hate to revisit) and through the band’s delivery along side of Teal’s vocals, they make the darkside seem bright and sunny. In “The Silence” Teal challenges the “validity of religion”… a song that would appeal to the death metal crowd, see guys, it’s would appear that this would be a cross-genre related subject. It would even behoove you to step out of the shadows of your inverted crossed comfort zone and try something new because when music is good, it’s good! Now if your virgin emo Christ lovin’ ears will singe if exposed to expletives (then you should not be on this site) but you may want to back away from this CD too. And just think, they’re not even trying to be bad boys!

 

Deepfield strikes a melodious chord in my dark heart of metal! For any band that not only attempts but also nails an En Vogue song, “Don’t Let Go” ranks high in my book. Oh my god, are those my panties? Somehow they magically fell off and hurdled themselves towards the band? Well this is all said in the good name of fun and pure energy felt from this collective! Pick up a copy today, it will be a welcomed change of pace from your normal regime!! Okay, need to get back to another dose of DevilDriver!

 

Devildriver Last Kind WordsDEVILDRIVER

The Last Kind Word

Roadrunner Records, 2007

Reviewer: Sharita

 

When Dez Fafara was the lead singer of now disbanded nü-metal band, Coal Chamber, people probably doubted that he could do something different and actually succeed; well if you did, let me join him in giving you the proverbial middle finger salute! Dez, along with bassist Jon Miller, guitarists Mike Spreitzer, Jeff Kendrick, and drummer John Boecklin have followed up Fury of Our Maker’s Hand with one of this year’s best The Last Kind Words.

 

This disc is hard hitting and shows the California quintet is not a flash in the pan. From the first song “Not All Who Wander Are Lost” till the last song “The Axe Shall Fall”, Dez and company grab you by the throat and kick your ass on every track. His bruising vocals are just one of the reasons that this album should be on continuous play in your iPod. Even though Dez vocals are maiming, the album is dare I say catchy in many spots. Songs like “Clouds Over California” and “Head On To Heartache (Let Them Rot) might be a little less deafening than others but if you consider that a weakness then you are sadly mistaken. “Monsters of the Deep” and “Burning Sermon” continue the brutal assault leaving all who try to emulate their style searching for answers.

 

The guitar work by the aforementioned virtuosos Kendrick and Spreitzer is highlighted in all tracks and bassist Miller just follows the lead of drummer Boecklin’s assault on your eardrums. It’s a wonder why these gentlemen are so underrated when it comes to the top players in the industry.

 

Usually with bands or singers in any genre they are pressured by the expectation of putting out a better album each time and because of that they fail miserably; Devildriver hasn’t done that. From their first self-titled effort to the classic Fury of our Makers Hand, all the way to The Last Kind Words they have given metal fans everything we expect and more. This album is not only one of 2007’s best, it just might be the best of the year. Look out metal world make way for the new kings of the NWOAHM! ALL HAIL!

 

DevilDriver has arrived, Last Kind Words shows the peak in level of maturity for this collective as they have define and personified their sound. The progression of their musicianship has been astounding especially with songs like "Monsters of the Deep", by far the best on the album. Miller is larger than life on this track...bravo...now allow me to cease with my "Tirade of Truth"! -- Karma

 

Dimmu Borgir In Sorte DiaboliDIMMU BORGIR

In Sorte Diaboli

Nuclear Blast Records, 2007

Reviewer: Thorne

 

This is one of those CD’s that still continues to blow me away with every single listen. I’ve been a fan of Dimmu Borgir ever since I first got a hold of For All Tid long ago, and even though they released a few less-than-stellar albums during the late 90’s and early 21st Century (Spiritual Black Dimensions and Puritanical Euphoric Misanthropia) part of me had always had a sneaky suspicion that one day, I would finally see the Dimmu Borgir I know and love re-emerge. Well, my prayers to the one with horns finally came in handy, as In Sorte Diaboli is the heaviest Dimmu Borgir CD in years. This is the kind of album the band always had the potential to make, but that potential was never realized until now.

 

The members that make up this band (Shagrath, Silenoz, Galder, Mustis, Vortex, and Hellmotherfuckinghammer) are the tightest musicians Dimmu has ever had. When I found out that the whole band wrote this album as a collective unit, a lot of things began to make sense about this release. In the past, most of the riffs were composed entirely by Silenoz and while Silenoz is a killer guitarist in his own right, it was always easy to tell that he alone had composed said riffs. This time around, I hear elements of Silenoz AND the band's other guitarist, the mighty Galder (Old Man’s Child) in the mix. The cold, precise and speedy guitar lines Silenoz made famous are now intermingled with Galder’s sense of groove and atmosphere. Vortex and his bass can also be heard quite prominently in the mix, along with the same epic clean vocals he put to good use in Arcturus. And speaking of vocals, Shagrath is BACK! The frog/Abbath hybrid we've heard on the last two CD’s all but disappeared and Shagraths old school black metal roar has returned, much to the great satisfaction of yours truly.

 

I don’t believe the band has ever put Mustis to work quite like they did with this release. After all, this is a concept album and I knew things were going to end up being epic...just not THIS epic! The opening of “The Serpentine Offering” baffles my mind because all of it was composed over a 3-day period by Mustis on computers and his keyboard. As stated before, the whole Freddy Nordstrom production is absolutely brilliant and brings this album to the forefront much like a feature film. The other element I must mention...above all else...the incredible drumming of Hellhammer. This man has always been a beast, and on In Sorte Diaboli he gives the drum performance of his life. If you’re looking for nothing but blast beats and ferocious double bass, go somewhere else. Of course, this CD features PLENTY of that, but this time around, the band took their time and wrote great songs instead of what was expected of them by the black metal elite (a.k.a. goat sodomy and forest walks).

 

Like I said before, this is a conceptual release and each song fits the different part of the story that it’s meant to represent. The story, one I can relate to quite well, is about a holy man in the middle ages that loses his faith. One can tell that even though the character in this story is fictional, Silenoz put a good deal of personal experience into the character's way of thinking (He handled the lyrics this time around once again) and his eventual attitude on Christianity. The bottom line is that if you’re looking for true black metal...look elsewhere...and I'm sure the band would say the same thing. However, if you’re interested in the best album of Dimmu Borgir’s career and one of the best metal CD's of 2007, this one is perfect for you. Share their sacrifice!

 

Echoes of Eternity The Forgotten GoddessECHOES OF ETERNITY1/2

The Forgotten Goddess

Nuclear Blast Records, 2007

Reviewer: Kate

 

The Forgotten Goddess blends heavy metal with traditional gothic elements; giving it the intensity of mainstream metal but the vocals of French-Canadian Francine Boucher puts a nice twist on the songs and gives the album a new perspective. Her relaxed technique is one of the largest factors in the atmosphere of the band’s music.

Brandon Patton takes the instrumental reigns subjecting your senses to both melodic and complicated guitar work.

 

There are several tracks that stand out on this album, “Voices in a Dream,” and the title track being two of them. The instrumentation is excellent but it is in these tracks that Boucher has her most powerful performance. Patton’s lyrics aren’t very strong but with Francine’s vocal efforts it doesn’t matter too much as her voice enhances the listening experience. “Expressions of Flesh” is another track that has some heavy riffs making the track headbanging worthy.

 

A few flaws that I could find was that the songs as a whole could use a little variation and the members need to stretch themselves out a little bit more. A little less attention on the vocals, a little more on the guitar work, and a better mixer on the board would be nice. The vocals were way too loud in the mix and it pulls your attention away from the rest of the band. Despite these small flaws, The Forgotten Goddess is surrounded by heaps of potential. If you’re into gothic metal or even if you are fans of bands such as Into Eternity or Dream Theatre then you will definitely appreciate this album.

 

Entombed Serpent Saints: The Ten Amendments ENTOMBED

Serpent Saints: The Ten Amendments

Threeman Recordings / Candlelight Records, 2007

Reviewer: Karma

 

As vocalist LG Petrov poses the following question, “What’s in your blood”? Obviously, this CD taken from the song in the same vein, “In Your Blood”. Sweden’s self-proclaimed “Serpent Saints” Entombed have once again opened their twisted “Ministry” to their faithful minion with their ninth studio release…and as it stands with this most phenomenal release, their congregation will continue to grow by leaps and bounds. These “Masters of Death” n’ Roll have been making music as far back as one can stretch the recesses of their memory banks (1989 indeed was a very good year)! Talk about a band that has not changed (for the exception of those uncertain years in the 90’s with releases like Same Difference; To Ride, Shoot Straight And Speak The Truth…when longtime fans thought their heroes had taken leave of their senses for the “experimental” side…). Since retrieved from that brief trip from planet Bullshit, Entombed has consistently put out some amazing music, this new release being no exception to the rule or to their amazing legacy!

 

Entombed went deep in their roots digging deep in their archives conjuring up spirits of past albums like Left Hand Path, Wolverine Blues, and/or Clandestine. Serpent Saints marks the first album with drummer ex-Misery Loves Co., Olle Dahlstedt, whom replaces longtime member Peter Stjärnvind. Guitarist Alex Hellid outdoes himself as this particular album contains the most funky/chunky chords and riffs ever written in their history whilst Petrov growls with his ever-distinctive grunts. Bassist Nico Elgstrand is most excellent and really shines on “When in Sodom”. There is one song that stands out of the pack, “Amok”…the lyrics are a tad bit on the cheesy side and musically is a little awkward but is a calling card for the condemned as it outlines the portrayal of the “damnation of the cursed”. Asides from the aforementioned “snafu”, this has to be one of Entombed’s finest releases to date. Once bitten by Serpent Saints its musical venom will seductively course through your veins. “…now it’s in YOUR blood!”

 

Five Finger Death Punch Way of the FistFIVE FINGER DEATH PUNCH

Way of the Fist

Firm Music, 2008

Reviewer: Kate 

 

Five Finger Death Punch comes at you with straight ahead metal riffs, a pummeling rhythm section and shredding guitar solos. The vocals are heavy but infused with a ton of melody and sheer power. Ivan Moody’s vocal range goes from angry thrash-like shouts to smooth melodies making this a solid debut and Moody a very dynamic frontman. There’s no frills, no fancy coating but just a barrage of brutal metal, which is what I like to hear on tracks like The Way of the Fist, “The Bleeding”, and “A Way to Die”. Influences of Slayer, Iron Maiden and early Metallica seep through the tracks giving The Way of the Fist a feel of true metal.

 

Five Finger Death Punch consists of some topnotch musicians; guitarist Zoltan Bathory, guitarist Darrell Roberts, drummer Jeremy Spencer, and bassist Matt Snell. Assisted by producers Stevo Bruno, Logan Mader and Mike Sarkisyan give this recording a nice heavy, chunky feel to it.

 

The bottom line is that it doesn’t matter how fast or hard you can play if you can’t write good songs and Five Finger Death Punch is exactly what metal has needed today. The tracks are aggressive and brutal but the lyrics have a personal feel to them that fans can relate to. This group has the ability to rope in newer fans to metal and give hope to older fans that have been looking for something that is pure metal!

 

The Funeral Pyre The Nature of BetrayalTHE FUNERAL PYRE

The Nature of Betrayal

Prosthetic Records / Creator-Destructor Records, 2007

Reviewer: Karma

 

Being on the burning black metal kick from hell as of late, The Funeral Pyre’s The Nature of Betrayal was a welcomed retrieval from the mailbox! This second offering by this California based band is a sure fire winner, burning as bright as a pyre itself. Sorry, couldn’t resist! The CD starts as sweet and as innocent as the act itself, and then all of sudden screeching bloody vocals of John Strachan kick in. The melodeath black metal venom is like mercury coursing through your veins. You can feel the pain and anguish contained in his vocal delivery.

 

The Nature of Betrayal will not lead the fold of its genre, but this CD grabs you by the jugular, leaving you with little or no choice to pay attention. Imagine Bleeding Through dripping with black metal and blast beats d’jour with some Black Dahlia Murder thrown in for good measure! The breakdowns are devastating with the blackened keys work by Daniella; the complexly layered guitars by Jimmy and Nick are rich; the rhythm section’s pretty special too with Adam Campbell on bass and the blast beats from hell which emanate from Alex, slays! The one minor ding is the production, it’s low but then again it adds to the overall allure of the band. I can quickly imagine how FP would sound with Erik Rutan or Peter Tägtgren behind the console! What a tasty treat that would be!!

 

Love the CD layout, which was assembled by the work of Gustave Doré; coincides very well with the devilishly embittered music. As the back of the j-card shows us crows staring off into the distance, you cannot help but wonder how this band will progress over the coming years because they have the potential to lead their flock into the abysmal dawn taking a seat upon the throne in their “Eternal Reign”. Grab the shovel, and add more coal, The Funeral Pyre will light up your world with their noxious mix of black metal under the light of the crescent moon! Pick up a copy today!

 

Furze UTD FURZE (No Pentagrams)

UTD

Candlelight Records, 2007

Reviewer: Kate

 

This is bad. Really bad and as a huge fan of black metal it pisses me off! It seems like Furze took every stereotype possible and crammed it into one album! It’s almost unlistenable, a collection of muffled guitars, unintelligible vocals, and off-key drumming. I can’t recommend this album, not even in a guilty pleasure kind of way. You know those CDs that you listen to in private but would never admit it to anyone? Nope, can’t even do that.

 

It’s very frustrating because when there’s a glimpse of hope and some possible sense of structure it changes and sounds like someone let their kid come in and run amuck on the mixing board. The drums are unnaturally loud, the vocals phase in and out and I really don’t know what is going on with bass guitar. Also, what is going on with fucking titles on this album? I mean is that absolutely necessary? I mean who wants to shout “Deep in the Pot of Fresh Antipodal Weave” at a show? Although who would show up at one of Furze’s show is another subject.

 

Ok, that’s all I can say about this album. It’s not worth putting anymore energy into writing about how much this album sucks. Do yourselves a favor and go listen to some good black metal like Marduk, Dark Funeral, or Dimmu Borgir. Anything but Furze.

 

Gorefest Rise to RuinGOREFEST

Rise to Ruin

Candlelight Records USA / Nuclear Blast Records, 2007

Reviewer: Karma

 

So you thought the Netherlands’ mighty Gorefest was back with a vengeance with their 2006 monster comeback album La Muerte; well, this band have never been so pissed…since False! Gorefest is a thinking man’s band especially with lyrics that seethe with disappointment for humanity and its ridiculous state of affairs wages a war vs. religion, state, and stupidity/ignorance. “Where’s the voice of the intellectuals? Where’s the burning barricade? All I see is conformation to the ongoing rape!” Well the obvious answer is vocalist/bassist Jan-Chris De Koeijer! With splotches of industrial, this album is a death metallers wet dream come true, keeping true to their death metal roots.

 

The album starts off like a nuclear bomb with “Revolt” with the double bass, punishing vocals from Jan-Chris, scorching guitar work from Boudewijn Bonebakker and Frank Harthoorn with the incessant battery on drums from the notorious Ed Warby. The next song, “The War on Stupidity” assaults your tactile senses with a punch to the gut and lyrically it fills your mind and heart with rage as JC wields his words of truth like a ten-ton hammer! This song comes at you like a lightening bolt; for words are never minced they “shoot straight”…in retrospect, why be any other way? “Speak When Spoken To” has not only one of the best song titles ever created but the lyrics and music that accompanies jettison’s itself to a whole new plateau. The brutal 9:08 “Babylon’s Whores” strikes “straight in the heart” of the matter; “A Question of Terror  is such a gem, the song is matchless with lyrics to boot. As JC rhetorically poses the question, “How an act of terror is defined” then answers the proposed conundrum ever so eloquently, “but your weakness and Achilles' heel Is that you live in fear.”

 

Make sure to get your hot little hands on the digipak of Rise to Ruin as it contains two phenomenal bonus tracks “Surrealism” and “Dehumanization.” Guess who the band enlisted the assistance of for production mastery? Well not sure if you were tired of the “Tue Madsen produced this CD” spiel yet; but hey, he did. Can you say pure genius? Bottom line: Rise to Ruin will engulf you like a mushroom cloud and lay you to rest! CONGRATS fellas with one if not thee finest release in 2007!

 

Hatesphere Serpent Smiles and Killer EyesHATESPHERE1/2

Serpent Smiles and Killer Eyes

Steamhammer / SPV Records, 2007

Reviewer: Kate

 

Hatesphere is back with their fifth studio album Serpent Smiles and Killer Eyes and are angrier as ever. They keep up their aggression and brutal intensity by fusing thrash metal with death metal and a hint of grindcore. While this album is aggressive, unfortunately, it is all the same mosh song over and over again. One of the main problems is the vocalist delivery falls flat with the same raspy scream; when he does bring in some variety with some guttural death growls he goes back to screaming.

 

There are some good moments though, like the creeping lead-in on “Damned Below Judas” or the well-done and effective growling groove of “The Slain” and the slick guitar work on “Feeding the Demons”. “Drinking with the King of the Dead” has some great harmonics and melody and spews forward some great doom/sludge metal/ “Absolution” is one of their best tracks and gives the album an epic feel.

 

I like these guys a lot and I wanted to love this album but I just wanted them to deliver more and they didn’t which is a bummer because they have the potential. The production is great but nothing stands out or flourishes with greatness. It has a little flash and style but it’s a little too late.

 

Hopesfall Magnetic NorthHOPESFALL

Magnetic North

Trustkill  Records, 2007  

Reviewer: Karma

 

Magnetic North, the third release from the North Carolina five, Hopesfall. This CD is a natural progression from the band’s 2004 A Types that rightfully gained them street cred as well as critical acclaim. Guessing proof is in the pudding as the band went on to sell 80,000 and counting with the aforementioned CD. Now getting back to the present, the band’s latest is definitely a step in the right direction down Maturation Lane; it is a good stepping-stone and an exciting peek into the future for this ever-growing outfit. Still plagued with lineup changes, the newest member to the fold is drummer Jason Trabue (ex-touring drummer for Dead Poetic & Vedera). The band commissioned producer Mike Watts (As Cities Burn) to breathe a little more life into this work of art. The production is clean and crisp, like a princess cut zircon!

 

Okay again, back to the music… The quirky collection offers a lot for any listener/lover of music. Mind you, there are awkward moments (not many) where the tones are not so dulcet or soothing with off timed arrangements coupled with Jay Forrest’s vox; it adds to the “strangeness” factor like as best heard on “Swamp Kittens”…even though it is a catchy tune overall. But yes, this is another one of those “mixed reviews”. It will be interesting to see how the band will be able to translate the new material on stage. No doubt they will be able to pull it off.

 

The album begins with the creepy ominous and atmospheric then Forrest rips in with the rest of the band on the opener, “RX Contender the Pretender”…the bass of Mike Tyson is punishing! Forrest has expanded his vocal repertoire with songs like “Cubic Zirkonias Are Forever” and on “Secondhand Surgery” his vocals are very reminiscent of Robert Smith as well as the song itself having a Cure-esque flair; Tyson shines bright like a phoenix in the night on this one as well with his “solo”. The way the song resonates from ear-to-ear is immensely mesmeric.

 

One we be remiss by not mentioning the stellar performances by guitarist Dustin Nadler and Joshua Brigham too! They are excellent and add a lot of dimension to the soundscape! Speaking of The Cure, on “Vacation/Add/Vacation!”, Robert Smith will either be pissed or pleased! We then take another trip down a heavily favored decade, the 80’s with “East of 1989; Battle of the Bay”. The aforementioned songs round out the airy and atmospheric side without compromising all of their heavier side which is best displayed on songs like “RX Contender”, and “The Cannon”…however if you seek the hard side, you may have to look elsewhere. No matter what, Magnetic North is a fascinating little ditty with an undeniable and unexplainable pull; you may be shocked by how quickly you too will be absorbed by its lure!

 

Iced Earth Framing Armageddon: Something Wicked Pt. 1 ICED EARTH

Framing Armageddon: Something Wicked Pt. 1

Steamhammer / SPV Records, 2007

Reviewer: Kate

 

Ok, annoying as it was to listen to, I’m going to put aside the fact that every 30-seconds a recording of Jon Schaffer interrupted the tracks saying, “Hello, this is Jon Schaffer and you’re listening to Iced Earth’s Framing Armageddon”. Dude, I know! Now shut the fuck up and let me enjoy the songs! Right, now that I got that out of my system I’m going to let it go.

 

Clocking in at 70 minutes Framing Armageddon is spread across nineteen tracks and everything flows very smoothly despite of what was stated above. I really enjoyed this album, I’m a fan of concept albums; I like getting wrapped up in a story, hence my love for King Diamond, and it’s pretty easy to follow the story on here. Few vocalists have what it takes to pull of what Tim “Ripper” Owens did on this album. Some people believe that he ruined Iced Earth after joining but I think they will have to eat their words after hearing this album. It takes powerful vocals and wide range to be able to deliver and Tim did just that. He has a nice epic tone and belted out these tracks with passion and conviction. Jon Schaffer has pulled out all the stops with his songwriting; he has the ability to craft songs that are powerful and memorable.

 

The opening track sets the stage perfectly with a dramatic, almost theatrical, feel to it. “The Clouding” is an acoustic number that begins with a haunting melody and sets the stage for “Domino Decree” and “Framing Armageddon”. Setian Massacre” is a thrashing battle scene that gives the album even more of an epic vibe. This is an epic album, with raw emotion and passion Framing Armageddon will draw you in and leave you on the edge, making you rabidly await the next installment of their genius.

 

Iced Earth Overture of the Wicked ICED EARTH

Overture of the Wicked

Steamhammer / SPV Records, 2007

Reviewer: Karma

 

Good Lord, the Ice Ages have returned; Iced Earth has redeemedth thyneself with the release of Overture of the Wicked. Knowing I bashed the hell out of the band for their past and less than glorious release, The Glorious Burden and went on for days about Matt Barlow’s greatness…but if truth be told, with this CD it’s “Barlow who?” This CD displays the Tim “Ripper” Owens that people revere, as well as I! My faith hath restoreth itself!! The amazing droning sounds of Iced Earth are comforting to ear and warming to the heart. It’s feel good music that you can sing along to; then again, this is no new tale to tell, is it? Not to mention there not being any distractions of cannons going off or historical landscapes forced down your throat. Having said all of that, guitarist (handling double duty on bass for this CD) Jon Schaeffer’s current material is majestic.

 

Let’s go back to missing members shall we? It does not seem like Mr. Schaeffer lost a step replacing many key ex-members (of course I dare not mention anymore names) but drummer Brent Smedley (double bass kicks d’jour) and lead guitarist Tim Mills (licks from hell) are pretty amazing on especially on the new single “The Coming Curse”, this epic song is mind blowing. Of course during the course of the band re-instates their well known cheese factor once “Ripper” wails “I am your Antichrist”…come on folks, what more are you really expecting here?

 

This mini offering displays the fine musicianship Iced Earth has been known for decades as such. Realizing that tracks 2 & 4 are re-recordings of the Something Wicked This Way Comes trilogy but Owens breathes new life into the songs; however, many diehard fans may disagree. Schaeffer and Owens seemingly defined their sense of purpose releasing a phenomenal offering. Every song is delicious offering more bytes of information for your brain to overload on. Overture of the Wicked is a portend of things to come BRING IT ON because it seems like “Reckoning Day” hath arriven…but we shall see, won’t we!

 

Katatonia Live Consternation CD/DVDKATATONIA

Live Consternation

Peaceville Records, 2007

Reviewer: Karma

 

I never understood the purpose of a live CD or DVD for that matter, up until I saw/heard Lamb of God’s Killadelphia, and then I got it… Sweden’s premiere doom/shoegazer outfit Katatonia definitely goes against the grain of their dark and moody nature as they shine like a bright quasar. The bonus DVD is the visual portion of the audio CD. This recording is crisp and pristine. If you’ve never had the fortune of seeing this band play or even if you’ve seen them a billion times over, this CD/DVD is a diamond in the ruff. It even comes in a fancy schmancy “Super Jewel Box case. The setlist the band chose to play for the 2006 Germany Summerbreeze Open Air Festival audience was stellar. It was a collection of the “Best Of,” showcasing new songs from the band’s 2006 release The Cold Great Distance all the way back to 1998 with “Cold Ways” from Discouraged Ones. Artist Travis Smith wrapped up the art concept started by the band’s Cold Great Distance series, My Twin CDS. Speaking of the booklet, it also contains lyrics for all of the songs along with a particularly stunning photo of guitarist Anders “Blakkheim” Nyström!

 

The sound production by David Castillo is astounding, he gets an A for effort, as it’s as if you’re actually at the show itself. Castillo should get a lot more knocks on his door after this feat! It’s nice to see the Summerbreeze crowd all wrapped up in the band’s stellar performance making the quintet feel welcomed especially during “Ghost of the Sun” when a fan whipped out the Swedish flag. The footage of the ensconced audience singing back to the band during this song as well as the headbanging & horn throwing during “Wealth” and others instances is priceless. The appreciation is not one sided, vocalist, Jonas Renkse gave it up to the crowd at the conclusion of one of the bands many fan favourites, “Criminals.”

 

There’s some impressive camera work throughout the DVD. Theatrical shots run throughout the DVD featuring split screen black & white shots of various members over color. Then there’s the vivid kaleidoscopic Dr. Who-esque visual effect, which surrounds Renkse during “Deliberation.” The only complaint is that the song titles appear a little too slowly. Case in point, the title doesn’t show up until about a minute after the selection’s underway. However, you are given two options in which to listen to this marvelous jewel, in 5.1 Stereo Surround Sound or 2.1 Ch as well as having the ability to navigate track by track. In case you wondered, the haunting song that plays during menu selection is “Journey Through Presence.”

 

If you’ve never bothered to check Katatonia out before, this would be a great introduction as the band ushers you into the corridors of their soul with this offering. As we should all be so fortunate to have Jonas' doom croonery and Katatonia lulling us to a better place and space, playing in our respective homes...well this is the next best thing! Live Consternation will whet the appetite, satiating your need to see the band in between tours other than that it leaves you wanting WAY more!

 

King Diamond Give Me Your Soul...PleaseKING DIAMOND1/2

Give Me Your Soul…Please

Metal Blade Records, 2007

Reviewer: Kate

 

For over 20 years King Diamond has been delivering dark and epic tales to the metal masses not just with his solo career but with Mercyful Fate as well. With masterpieces like Abigail, Abigail II, The Puppet Master, and Them under his belt, you wonder if the King can still deliver. Well, I can reassure you all that he has earned the right to keep his seat at the throne with this latest release. Of course, Give Me Your Soul… Please is a concept album and the story revolves around a brother and sister who are killed by their father and become spirits. The boy is accused of committing suicide and is condemned to hell; the sister comes up with a plan so they can both go to heaven together.

 

Although he pulls away from his screeching falsettos and sings in more of a mid-range tone, this album is vintage King Diamond. The first full-length song “Never Ending Hill” is up-tempo and gives a familiar feeling of past Diamond albums. “Moving On” is also a very well done song with a great chorus that gives it a very epic sound. Guitarists Andy LaRocque and Mike Wead have more of a dominant sound on this album, as they should for they are both incredibly talented and compliment each other well. LaRocque’s searing riffs are heavily present on tracks like “The Floating Head” and “Never Ending Hill.”

 

Long time fans of King Diamond will immediately love this album; the music is epic and the story is brilliant and haunting as always. Even if you’re new to the King’s work it is worth your time to give it a listen!

 

Lions Share Emotional ComaLION'S SHARE

Emotional Coma

Locomotive Records, 2007

Reviewer: Kate

 

Emotional Coma is a very dark, aggressive power metal album that I’m really impressed with. It took me a couple takes to get into it at first but once I started listening to Patrick Johansson’s vocals and the force behind it, I really started enjoying this album. The songs are not your typical European power metal combo, they are dark, fast and very aggressive and Johansson oddly enough reminds me of a young Ronnie James Dio.

 

“Cult of Denial” is one of the best songs on this album that is wrapped around a story of a group internet chatting teenagers who decide they want to kill themselves and their internet friends cheer them on to do it instead of putting a stop to it. “The Arsonist” hits you head on with a furious tempo and the title track “Emotional Coma” holds some great power shouts and a shredding guitar solo but still maintains it’s dark and gloomy approach.

 

I would say that “Killer on the Road” is one of my second favorites because it holds a subject that I’ve always been fascinated with…mass murderers. No, I don’t want to commit a mass murder; I’m just fascinated by them. I have more movies on Netflix about Ed Gein, Ted Bundy, Charles Manson and others than I care to admit. Anyway, back to the subject at hand, “Killer on the Road” is about a mass murderer traveling around the countryside killing people at random. It holds the darkness of Black Sabbath and you can also hear the gloomy influence of Candlemass seeping through. “Hatred’s My Fuel” is another great track about a guy who kills his family...and then eats them. I wonder who that’s about…hmmmm.

 

Emotional Coma has the makings of a true metal album. It’s dark, depressing, the subject matter is angry and violent, my kind of album! Seriously though, these guys really do have some true talent and I look forward to hearing more from them!

 

Lord Belial Revelation: The 7th Seal LORD BELIAL

Revelation: The 7th Seal

Regain Records, 2007

Reviewer: Kate

 

Lord Belial blends bludgeoning darkness and an ominous atmosphere along with plenty of melody. Niclas Andersson has returned to the fold after a few years of being absent; meaning the original lineup is back together again and they have managed to deliver an incredible black metal album. The songs are really well-written with melodies that stick in your head after the album is over. The tempos are mainly mid-tempo, which allows the listener to be crushed with their brutality.

 

“Death as Solution” is an incredible track that keeps building up tension until Thomas Backelin rips into you with high-velocity yells and true savagery; one of the most memorable songs on the album. “Ancient Splendor” is another great track where it explodes with mammoth guitar riffs and a melodic lead with double bass drums in the background. One of the closest comparisons I can make with Lord Belial is to Naglfar though the track “Vile Intervention” also reminds me of some of Dark Funeral’s work as well.

 

Lord Belial has managed to make a fantastic black metal CD. If you have never heard them before you’re in for an amazing surprise; there is nothing missing here. Dark vocals, tremendous rhythms and melodies and hammering drums that will leave you wanting more!

 

Machine Head The BlackeningMACHINE HEAD (5.666 Pentagrams)

The Blackening

Roadrunner Records, 2007

Reviewer: Karma

 

The Blackening marks Machine Head’s sixth release from this Oakland power quartet. With these eight tracks being as “bleak and dark” as they are, it takes you on a whirlwind journey from whence you will not recover. Much of the lyrical and musical content covered on this inimitable effort reflects the band’s trials and tribulations experienced prior to recording the album on top of tackling subjects like the Iraq War “A Farewell to Arms”, “Clenching the Fists of Dissent”…; topics surrounding Dimebag’s Murder “Aesthetics of Hate”; and the classic subjects of love/hate “Slanderous”... Not to say the band has not gone down this road before [with “1,000 Lies”] addressing current events but it’s like vocalist/guitarist Robb Flynn truly found his voice! As for the rest of the band, they defined, solidified, tightened, and elevated their sound to a higher echelon. This CD is a true testament to the band crossing into the land of unadulterated, superior musicianship and what an accomplishment this is!! A little more than 61 minutes of pure carnage, classic hooks, and technical dazzle, the average song weighs in six-minutes and somehow it is STILL not enough! Producer and unofficial fifth member, Colin Richardson, adds his touch to the fold!